簡(jiǎn)介：英國(guó)人類學(xué)家克里斯（克里斯托弗·李 Christopher Lee 飾）在中國(guó)東北地區(qū)發(fā)現(xiàn)一個(gè)冷凍的人型怪物，并將它帶上前往歐洲的列車。然而，在半途中，這個(gè)怪物解凍并開始獵殺列車上的乘客，吸取他們的腦漿，導(dǎo)致了恐怖的場(chǎng)面。                                                                    　　盡管車上有軍隊(duì)介入并成功殺死了怪物，但它的意識(shí)卻轉(zhuǎn)移到了另一個(gè)人的身體上，導(dǎo)致殺戮繼續(xù)。更加可怕的是，它還能夠?qū)⒁呀?jīng)死去的人復(fù)活并變成活死人來為它效命。面臨如此絕望的局面，幸存的乘客們決定采取極端措施，銷毀火車，以終結(jié)這一恐怖事件。故事展示了人類在面對(duì)未知和恐怖時(shí)的極端反應(yīng)，以及他們?yōu)樯娑扇〉臉O端行為。

簡(jiǎn)介：隨著朝鮮和韓國(guó)之間的緊張局勢(shì)，一架美國(guó)直升機(jī)在朝鮮一側(cè)墜毀，現(xiàn)在幸存者必須共同努力保護(hù)一名民用技術(shù)專家，并在沒有美國(guó)軍事支持的情況下找到出路。

簡(jiǎn)介：　　Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.

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